Friday, 27 September 2013

Stop Frame Animation

Listening to Bonobo’s tracks I realised many of them have a very disjointed feel to them. Mr Buckmaster suggested incorporating stop frame animation to illustrate this. Using this imagery will mirror the sound/feel of the music.


Peter Gabriel: Sledgehammer


Please look at Peter Gabriel’s video, Sledgehammer (below). This is a great example of stock frame animation. It’s very fragmented which I would love to use if I do one of Bonobo’s tracks (see previous post). The animation combined with the stop-motion shots makes the video seem comical and  helps visualise the lyrics in the song also. Because it is very surreal and slightly bonkers the video stands out the video picked up an MTV music video award back in 1987! Using stop frame animation gave Gabriel freedom of his mind and lyrics which noraml freedom may have not been able to create.


Animation in bed


On YouTube I also found a stop frame animation of someone in bed. Using stop frame animation a story is portrayed although she never moves from her bed. It again is fragmented but fits in with the dreamlike setting of the bed and makes the video very surreal. 



Thursday, 12 September 2013

Establishing and Trying Techniques

A technique I would love to incorporate in my own music video is speeding up the movement of clouds using a time lapse or fast motion effect.


I love the idea of filming clouds moving fast. As well as giving the video a very natural vibe, it creates the feeling of a fast movement of time and making it seem very surreal and dreamlike.

I also saw the effect briefly in Selena Gomez’ video ‘Come & Get It’ at 0.16 https://www.youtube.com/watch?v=n-D1EB74Ckg
It fits in with the naturalistic setting of her video. As the clouds move they cover the sun bringing a darker more mysterious atmosphere to the video.

















Below are two attempts I had at filming the clouds. I filmed the cloud footage back in Summer, knowing I wanted to include/try this technique. Because it was filmed in summer the clouds aren't that good! I think it would look more effective if it was filmed with more dense clouds. My camera also loses focus at points which is annoying. I filmed for around 5 minuets and then increased their play speed on Serif- MoviePlus.


Wednesday, 11 September 2013

Bonobo

Real name, Simon Green, is a British music producer and DJ.Bonobo is one of the pillars to Ninja Tune music label and practitioner of “downtempo.” He is renowned for his heavy, complex bass lines. He often combines sonic sounding music alongside vocals.

I am thinking about uses one of his recent tracks from his album The North Borders for my media product and I think using the rhythm and beats will look effective when combined with imagery.“The album’s narrative takes us through many unexpected territories, each exploring the theme of nature versus machine but in a direction that steadily gears toward the light." If I do use it I hope to blend the camera shots/movement with the beats as I saw in Euan Bakers A2 Media coursework. 

I also like his tracks ‘Don’t Wait’ and ‘Know You’ as I can use the few lyrics to create a storyline.

An interpretation of Bonobo’s track ‘Cirrus’: “The track immediately gives you a spacey organic feel with the glass like chimes along with the echoing effects. A mild high-hat and snare beat enters the civilized melee of sounds along with others that fade in and out throughout the course of the tune. Towards the middle of the song, a heavier bass slides on in giving "Cirrus" that much anticipated weight.”

Please listen to Bonobo's track 'Don't Wait' below.


Comparing and Contrasting A2 Media Work

In our media lesson on Thursday 5th September we watched two A2 media music videos. Our teacher, Mr Buckmaster, put both the videos on the smart board and without commenting we watched both. After seeing both videos, the first being ‘The Kill’ by Hollie Jenkinson and the second ‘Friend (Lover)’ by Euan Baker, we compared the two.

‘The Kill’ – 30 Seconds to Mars http://www.youtube.com/watch?v=Zflr8QJGt9E

Hollie Jenkins chose a very well-known, post-hard core/alternative rock song for her A2 Media coursework. She used a combination of lip synching, dancing and acting to portray her storyline, in which I believed was about abusive partners and leaving one another.

She depicted a variety of couples showing domestic abuse and arguing. Jenkins used the lyrics in the song to prompt her imagery, for example at 0.21 the lyrics say ‘what if I fell to the floor?’ at that moment the trio of dancers fall. She also used the lyrics in the song to reflect the abuse for example ‘you’re killing me’, ‘come break me down’, ‘bury me’ and ‘I am finished with you’.

However, it was fairly hard to follow the storyline in the video as we were introduced to so many different characters and locations. One moment the (what seemed to be) female protagonist in school, the start and ending shot, and then she is running through a forest, at home, in the bath etc. It seems very unclear why she is in all these locations as it jumps to them all, although I did like the cycle of starting and finishing the video in the same location with similar shots.

Again by having so many characters (particularly women), who are lip syncing and caught in arguments, it is hard to follow anyone. One man appears to be with three women at the same time making it hard for the audience to see any kind of relationship between the ‘couples’. We cannot make a connection to any of the women as there is too many, all seen for only short spaces of time, to enable to feel sympathetic towards them.

The choice of locations, casting and costume all seem badly thought out and chosen for convenience, not because they were appropriate. For example the school location is never revisited until the end in reverse. Also the fight in the street at 0.43 seems very unlikely and running through a forest at 0.31. Furthermore the three dancers are wearing different costumes, as they were dancing in, what looked like, a drama studio with black walls and were edited in black and white; I think all dancers should have worn matching white clothing.

There is also very little/continuous colour treatment, aside from the black and white effect on the dancers. There is the odd shot with over exposure (0.26) but none on the majority of shots (e.g. 1.34).


‘Friend (Lover)’ – Evenings http://www.youtube.com/watch?v=S1qXh3CO9nM

Euan Baker, however, focused much more on his cast, location, costume and imagery. Baker chose a song called ‘Friend (Lover)’ by Evenings, an unsigned, ambient indie project. The track uses repetition along with an intricacy to the shifting drum patterns, which Baker uses to his advantage.

Baker’s imagery is moulded around the beats of the music; he changes camera angles, lengths and movement to fit alongside the complexity of small-scale manipulation. For example at 0.59, the change of shot position along with the black wipe completely works with new drum beat, also at 1.27, where the male protagonist’s face appears as another sound is introduced.  
 
Like Hollie’s video he uses black and white, however, this is continuous through the video. This works well to create the dreamlike/ surreal effect. The dreamlike sensation is mirrored in the music, which begins very ‘airy’ and light, with the high pitched singer/rhythm. I also love the way Euan uses blurred and disjointed images to again reflect the unconscious state.
 
The casting of the male protagonist works as we can imagine the character composing this song, the clothing he wears works perfectly to him giving his a sharp edge. This is juxtaposed with the rural setting of the forest, making him stand out and again reflecting his unconscious state. As the male falls backwards into the lake he is topless and shoeless creating the feel of purity, nakedness and vulnerability. However, we never see him being in danger. We can tell the character is not committing suicide of in danger from his very neutral facial expressions. He does not appear happy or sad but instead thinking. This again could reflect him imagining the dream. As he falls his arms are stretched out in a cross position giving the video religious connotations.

Euan’s video also appears as a cycle by portraying him waking up at the end.

His video has very inspired me to do a song with none or very little lyrics, for example using Bonobo. I liked the idea of using his song ‘Sapphire’.